You have your characters and you have a story in mind.
Now it’s time to think about structure. Which of the following techniques will
work best for your story?
1. Alphabet: You must use every letter of the alphabet
(in order) and there still needs to be a story, otherwise, it’s just a list. In
HI, KOO! A YEAR OF SEASONS by Jon J. Muth, written in verse, he highlights the
letters of the alphabet in succeeding order as he describes the
seasons.
2. Compare and/or contrast: You are comparing two
characters against each other. In the end, both story lines come together. Think
city mouse, county mouse.
3. Counting: You don’t have to count to “infinity and
beyond,” but the usual number is 10, and again, you need a story. DOGGIES by Sandra Boynton teaches the children the different barks of a dog and one cat while learning their numbers.
4. Days of the week: First rule, list all or none.
Listing the days of the week sets up an expectation for the reader. They know
as the week gets closer to the end, something big will happen. Akin to the
“ticking clock.” In THE VERY HUNGRY CATERPILLAR by Eric Carle, the caterpillar eats his way through the days of the week and morphs into a butterfly.
5. Ending where you started (circular): Story starts at
home or place X and ends at home or place X. Another way the story could end
where you started is repeating the opening phrase or a part of it at the end. Think Wizard of Oz.
6. Months: List them all in the proper order, and you
still need a story line. In THE TURNING OF THE YEAR by Bill Martin, Jr., written in verse, he brings forth the joys of each season.
7. Question and answer: A character asks another character questions. In A SPLENDID FRIEND, INDEED by Suzanne Bloom, the duck asks the bear questions about what he’s reading, what he’s doing, what he’s thinking, he is hungry? Bear doesn’t answer, but the duck does.
7. Question and answer: A character asks another character questions. In A SPLENDID FRIEND, INDEED by Suzanne Bloom, the duck asks the bear questions about what he’s reading, what he’s doing, what he’s thinking, he is hungry? Bear doesn’t answer, but the duck does.
8. Repetitive phrase: Kids love the rhythm of repetitive
phrasing, but that alone is not enough. The story will still need one of the
other structures listed. Some of my favorite repetitive phrases are “Lions and
tigers and bears. Oh my!” and "Chicka Chicka Boom Boom, will there be enough room?"
9. Seasons: List them in order and don’t forget the story
line. THE REASONS FOR SEASONS by Gail Gibbons explains the solstices, equinoxes, the earth's tilt and orbit and what children and animals do in each season.
10. Story within a story: This is when an adult tells the
child a story about something that happened to them (the child). KNOTS ON A COUNTING ROPE by Bill Martin, Jr. has the grandfather telling a boy the story of his birth, he was frail and weak, but survived because of his strength and will use that strength to deal with his blindness.
11. Taking a Trip: The goal is not just the destination, but getting ready for the trip and the struggles or discoveries along the way THE BAG I'M TAKING TO GRANDMA'S by Shirley Neitzel tells a packing story from two viewpoints, the child's and the mother's.The child packs too many toys and no clothes, mother, of course, wants less toys and clothes.The boy outsmarts his mother and gets to take his toys.
Closing note: Take an hour on the library floor or the
bookstore, and pull out random picture books and see how many of the above
techniques are used in the same story.
For my source and more detailed information, check out
WRITING PICTURE BOOKS by Ann Whitford Paul.
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